“Kashmir” is a song by the English rock band Led Zeppelin from their sixth album Physical Graffiti, released in 1975. It was written by Jimmy Page and Robert Plant (with contributions from John Bonham) over a period of three years with lyrics dating to 1973. The song became a concert staple, performed by the band at almost every concert after its release. The song has been described as one of Led Zeppelin’s two most overtly progressive epics.

Page and Plant released a longer, live version, recorded with an Egyptian/Moroccan orchestra, on No Quarter: Jimmy Page and Robert Plant Unledded (1994) and continued to perform the song with an orchestra on their 1995 tour.

The song is over 8 minutes long.

“Wheel in the Sky” is a song by the American rock band Journey, recorded in 1977 and included on their fourth studio album, Infinity. It was written and composed by Robert Fleischman, Neal Schon and Diane Valory.

At the time of the song’s composition, the band had decided to follow a new direction into an edgier sound and began recording simple hard rock pieces with new lead vocalist Fleischman, who was replaced by Steve Perry by the time work on Infinity began in earnest.

“Wheel In The Sky” reached #57 on the Billboard Hot 100 in 1978, becoming Journey’s first song to chart on the Hot 100, and also reached #45 on the Canadian RPM 100.

The song’s lyrics are sung from a scorned lover who “Can’t take it very much longer”.

The video can be found on the infomercial for “The Heart of Classic Rock”.

The song can be heard blaring in the background of the closing scene of HBO’s The Sopranos season 2, episode 23 “Bust Out,” and also in the third episode of the second season of Supernatural. Klaus sings the song on a mix tape in “Stan’s Best Friend”, an episode of American Dad!. The song was mentioned in the Glee episode “The Hurt Locker, Part One”.

“Free Bird”, or “Freebird”, is a power ballad by American rock band Lynyrd Skynyrd. The song was first featured on the band’s debut album in 1973 and has been included on subsequent albums released by the band, including the previously unreleased, unfaded-ending version of the original recording (featured on Skynyrd’s Innyrds). Amazon.com music reviewer Lorry Fleming calls it “the most-requested song in the history of rock music.”

Released as a single in November 1974, “Free Bird” bowed at No. 87 on the Billboard Hot 100 on November 23 and became the band’s second Top 40 hit in early 1975, where it peaked at No. 19. A live version of the song also reached the Billboard Hot 100 chart in 1977, peaking at No. 38. “Free Bird” also achieved the No. 3 spot on Guitar World’s 100 Greatest Guitar Solos.

It is used as a finale by Lynyrd Skynyrd during their live performances and is their longest song, often going well over 14 minutes when played live.

It is considered to be Lynyrd Skynyrd’s signature song.

“Lola” is a song written by Ray Davies and performed by English rock band the Kinks on their album Lola Versus Powerman and the Moneygoround, Part One. The song details a romantic encounter between a young man and a possible transvestite, whom he meets in a club in Soho, London. In the song, the narrator describes his confusion towards a person named Lola who “walked like a woman and talked like a man”. Although Ray Davies claims that the incident was inspired by a true encounter experienced by the band’s manager, alternate explanations for the song have been given by drummer Mick Avory.

The song was released in the United Kingdom on 12 June 1970, while in the United States it was released on 28 June 1970. Commercially, the single reached number two on the UK Singles Chart and number nine on the Billboard Hot 100. Due to its controversial subject matter and use of the brand name Coca-Cola, the single received backlash and even bans in Britain and Australia. The British version of the song uses the phrase “cherry cola” while the US version uses the name “Coca-Cola.” The track has since become one of The Kinks’ most iconic and popular songs, later being ranked number 422 on “Rolling Stone’s 500 Greatest Songs of All Time” as well as number 473 on the “NME’s 500 Greatest Songs Of All Time” list.

Since its release, “Lola” has appeared on multiple compilation and live albums. In 1980, a live version of the song from the album One for the Road was released as a single in America and some European countries, becoming a minor hit. Other versions include live renditions from 1972’s Everybody’s in Show-Biz and 1996’s To the Bone. The “Lola” character also made an appearance in the lyrics of the band’s 1981 song, “Destroyer”.

“A Horse with No Name” is a song written by Dewey Bunnell, and originally recorded by the band America. It was the band’s first and most successful single, released in late 1971 in Europe and early 1972 in the US, and topping the charts in several countries. It was certified gold by the Recording Industry Association of America.

America’s self-titled debut album was released initially in Europe with only moderate success and without the song “A Horse with No Name”. “A Horse with No Name” was originally called “Desert Song” and was written while the band was staying at the home studio of Arthur Brown (not the British singer), in Puddletown, Dorset. The first two demos were recorded there, by Jeff Dexter and Dennis Elliott, and were intended to capture the feel of the hot, dry desert that had been depicted at the studio from a Salvador Dalí painting, and the strange horse that had ridden out of an M.C. Escher picture. Writer Dewey Bunnell also says he remembered his childhood travels through the Arizona and New Mexico desert when his family lived at Vandenberg Air Force Base.

“Your Song” is a ballad composed and performed by English musician Elton John with lyrics by his longtime collaborator Bernie Taupin. It originally appeared on John’s self-titled second album (1970).

The song was released in the United States in October 1970 as the B-side to “Take Me to the Pilot”. Both received airplay, but “Your Song” was preferred by disc jockeys and replaced “Take Me to the Pilot” as the A-side, eventually making the top ten in several countries.

In 1998, “Your Song” was inducted into the Grammy Hall of Fame. In 2004 the song was placed at number 137 on Rolling Stone’s list of “The 500 Greatest Songs of All Time”.

A demo version was included on John’s 1990 box set album To Be Continued. The song has been covered by a number of artists, including Ellie Goulding, whose version reached number two on the UK Singles Chart in late 2010.

“Your Song” was praised by critics upon its release and in subsequent years. Bill Janovitz from AllMusic described it as a “near-perfect song”. In a 1975 interview with Rolling Stone, John Lennon recalled, “I remember hearing Elton John’s ‘Your Song,’ heard it in America—it was one of Elton’s first big hits—and remember thinking, ‘Great, that’s the first new thing that’s happened since we (The Beatles) happened.’ It was a step forward. There was something about his vocal that was an improvement on all of the English vocals until then. I was pleased with it.” John Mendelsohn from Rolling Stone called the song a “pretty McCartney-esque ballad”.

“Dream On” is a power ballad by Aerosmith from their 1973 debut album, Aerosmith. Written by lead singer Steven Tyler, this song was their first major hit and became a classic rock radio staple. Released in June 1973, it peaked at number 59 on the Billboard Hot 100 but hit big in the band’s native Boston, where it was the number one single of the year on WBZ-FM, number five for the year on WRKO and number 16 on WMEX (AM).

Tyler says that this was the only song on the band’s first album where he used his real voice. He was insecure about how his voice sounded on tape, so for the other songs, he tried to sing a bit lower and sound more like soul artists, such as James Brown. The song is also famous for its building climax to showcase Tyler’s trademark screams. The main riff and chorus of the song were sampled in the 2002 song “Sing for the Moment” by rapper Eminem on The Eminem Show that also features a solo from Joe Perry.

“Blinded by the Light” is a song written and originally recorded by Bruce Springsteen which first appeared on his 1973 debut album Greetings from Asbury Park N.J.. A cover by British rock band Manfred Mann’s Earth Band reached number one on the Billboard Hot 100 in the United States in February 1977 and was also a top ten hit in the United Kingdom, New Zealand and Canada.

Manfred Mann’s Earth Band’s recording of the song features several changed lyrics. The most prominent change is in the chorus, where Springsteen’s “cut loose like a deuce” is replaced with “revved up like a deuce.” This is commonly misheard as “wrapped up like a douche” (the V sound in “revved” is almost unpronounced, and the S sound in “deuce” comes across as “SH” due to a significant lisp). Springsteen himself has joked about the controversy, claiming that it was not until Manfred Mann rewrote the song to be about a feminine hygiene product that it became popular.

“Rock & Roll Band” is a song written by Tom Scholz and first released by the rock band Boston on the band’s eponymous debut album. It is one of six songs Scholz worked on in his basement in 1974 and 1975 before Boston got its record contract, five of which eventually appeared on the Boston album. The “Rock and Roll Band” demo was finished in 1974, along with three of the six. However, Scholz had begun writing the song years earlier, in the early 1970s. The drum parts of this and other early Boston songs were developed by Jim Masdea, but this is the only song on the Boston album on which Masdea plays drums. Scholz plays clavinet and all the guitar parts, including bass guitar, and Brad Delp sings the vocals. Boston would consistently open with “Rock and Roll Band” while playing at live concerts.

This being one of the songs I doubt I will ever get tired of hearing, here is what Wikipedia has to say about it:  “Mary Jane’s Last Dance” is a song written by Tom Petty and recorded by American rock band Tom Petty and the Heartbreakers. It was recorded on July 22, 1993, while Petty was recording his Wildflowers album, and was produced by Rick Rubin, guitarist Mike Campbell, and Tom Petty. The sessions would prove to be the last to include drummer Stan Lynch before his eventual departure in 1994. This song was first released as part of the Greatest Hits album in 1993. It rose to #14 on the Billboard Hot 100, becoming his first Billboard Top 20 hit of the 1990s, and also topped the Billboard Album Rock Tracks chart for two weeks.

The twang of the guitar will be stuck in your head for hours. But is the song about a real Indiana girl or is that girl a symbol of weed? When asked about it, Heartbreak guitarist, Mike Campbell said:  “In the verse there is still the thing about an Indiana girl on an Indiana night, just when it gets to the chorus he had the presence of mind to give it a deeper meaning. My take on it is it can be whatever you want it to be. A lot of people think it’s a drug reference, and if that’s what you want to think, it very well could be, but it could also just be a goodbye love song.”